Babikja – film composed of various images of people’s faces. The most important image in the film is the face of me and my grandmother. Through the blend I have tried to see into her. (When I was looking into her photoalbum with photos of her and her friends, I usually think about the people at the photos, how important they were tfhroughout her life and which of the relationships were key ones for her. I like the expression “key relationship”. It may seem like someone entered into your soul and opened the lock of your heart.)

Maaristaan – however, it may seem that Maaristaan merely represents dressing scarves as a specific fashion style, it focuses visual attention at the soul and inner beauty of women. Irrespective of the load of current highly politicized and sharply perceived social agendas associated with provocation of both wearing (in the West) and not wearing scarves (Islamic East) Maaristaan draws attention to “hidden” advantages of veiling when considering alienation and dehumanizing trend of uncovering a woman’s body and putting a woman on pedestal as a bare object and a mean of mindless consumption and consumerism.

Recognized : video made from photographs. Music by Dj Borsch, edited by Filin Krug. Scott Peck in The Road Less Traveled says that the term “to recognize” is ordinarily used “to know something”. In fact it means “to know something again” from the prefix “RE”(again) and “cognize”- to know. Photographs used in the video are an abstract collection of about two repetitive rolls of some symbols.

Diary 2007, collage video

Mind Posters (2011) William Seward Burroughs thought that informations encrypted in city posters come from extraterrestrials and this is the way how they control us. Of course it is true. I took all the photos in Krakow during the summer week spent there in the workshops Visegrad Visibility. I was focused on symbols of faith and religion in Poland. In postproduction (with using my texts and symbols) I solved my ambivalent attitude to this topic.

Presented: http://www.offstation.cz/

Mrtvá kurva a živá mrcha – jednodenní výstava v galerii Altán Klamovka v Praze dne 12. června 2011 autorek ZooMarket (Markéta Bendová a Zuzana Valešová). Interiér galerie byl zaplněn pitoreskní instalací složenou z fotografií, kreseb, objektů a básní. V blízkém okolí altánu se odehrával picnick v trávě s tradičním vykuřováním na zahnání zlých démonů.
ZooMarket: Mrtvá kurva a živá mrcha je ukázkou jedné z úrovní našich osobností, které mezi sebou (rády) sdílíme. Jsou to naše druhá jména vedle ZooMarket. Prostřednictvím nainstalované, pitoreskně-teskně-špinavě glamourní ložničky, se bylo možné pokochat dekadencí a peklem námi přijímaného osudu, prostřednictvím fragmentů ze soukromí, básní, fotoalb a fotografií přímo v srdci její postele.